b¤>j”Ó)΄þ¿!P±±ûÆîÔ«Èø&éÞö;Ä"k‰°B›Þ¶Ü}°ªèëè™òœ€âÍp²SVT‘(wŠºÄ™­µ!jêáþÕî�®ÓÖ õ†x¦;õ-m€¼@JÐý­önQ+¦¤îÕºÁ¢×›âÉ7æMa»jf…­J‘×ͱ4j¡ªþÑ²Øæ’†R· x¢ZMzù7v�ªIW‹‚ã¦/dêçÙž¸Ð¢×–íƒcˆZM~»ji�  ß’þösQz¬µû×ñÔ °ØDW¬Ž3çDe‘n"ÄùMÂ�è½+/ÿåéÝà™í•ÚBéÓ:û-²uÄùIJ�’é´7j±å§”ûŽð’‹9íÚpä=ï'mŠùANÂÞ­£=/êáøÍî™ñßÒBéÓ:û-·n&—°À’ôúnUf± ô×õ˜çÚÒq¬Šx¢ZM~»c�µ Ϲì»+,&ëåᾺܢÓÒF[¬Ž(ã1ú*"Ùù Ï’¥ò"J‘–ÓûÔ§¦ƒ“ãË<Ì;Æb"À² ‡×ë·"jëþ�”ºÜ¢ÓÒF[åÌxª ,ë!qÌý Ò›â·*]/à¢ÿÀØ�ñš‘2âÌ7 SMc¦s"‚¸ÎÞ­­DQ/â应ºÜ¢ÓÒF_üË!î :»s"‡¶ ƒÓý·7`£¡¶”¾—çŠÞFíÆ+çSVT»n"ÄùIJ‹Š‡önQ/â应ÿŠãŸÚB íÓ4í w D"ÄùIJ‹×­³-`â¦õÐÿÔÂ�‡S¨Î9öDr»ji� EJß…ø³gJâ应çÜçŸ�[÷ x¢ZM~»n"�¿IB؃ÿ¦!'æ¡ûÀûТѕÎË+ëõ(mÆðIK–Ê­°/|§ìºÏ�Ü¢ÓÒF[¬Šx¢ZMzÄG·Š %嬩¦/c­¤þúû‘ç®Ò[[ïÅ<çRI:ú:cÈùMÎŽ¡ö:z§ì¡¾ºÜ¢ÓÒF[¬×R¢ZM~æD AUB01 Homage Buddha 1 - BhutanArt Gallery


Homage to the Blessed One, the Tathagata, the Arhat, the Perfectly and Fully Enlightened Buddha Shakyamuni.


Art Description


The benefits of praying: Free from being born in the Howling Hell (Nguboe), where one suffers the agony of being trapped in a burning metal structure with no way out and is boiled to death in molten iron, a consequence of the three poisons. It is also said that all sinfulness or negative actions committed over one hundred thousand eras will be purified.

བཅོམ་ལྡན་འདས་དེ་བཞིན་གཤེགས་པ་དགྲ་བཅོམ་པ་ཡང་དག་པ་རྫོགས་པའི་སངས་རྒྱས་དཔལ་རྒྱལ་བ་ཤཱཀྱ་�ུབ་པ་ལ་ཕྱག་འཚལ་ལོ� �

ཕྱག་འཚལ་བའི་ཕན་ཡོན་ནིà¼�  སངས་རྒྱས་དེ་ལུ་ཕྱག་འཚལ་བའི་ཕན་ཡོན་གྱིས་ ཉོན་མོངས་པ་དུག་ གསུམ༼འདོད་ཆགས་ཞེ་སྡང་གà½�ི་མུག༽ སྤྱད་པའི་རྣམ་སྨིན་གྱིས་དམྱལ་བ་ངུ་འབོད་ཀྱི་ནང་ལུ་སà¾�ྱེས་à½�ེ་ ལྕགས་སྲེག་གི་à½�ང་པ་སྒོ་མེད་ཀྱི་ནང་ལུ་བཙུགས་པའི་སྡུག་བསྔལ་ལས་à½�ར་བའི་à½�ར་ བསà¾�ལ་པ་གཅིག་à½�ྲི་གི་རིང་ལུ་ བསགས་པའི་སྡིག་པ་ཚུ་བྱང་ཚུགསཔ་སྦེ་གསུངས་ནུག

Art Specification

Title: Homage to the Blessed One, the Tathagata, the Arhat, the Perfectly and Fully Enlightened Buddha Shakyamuni.
Year: 2024
Dimension: 3×4 ft 
Medium: Natural Pigment (Saa-Tshen)
Exhibited In: Homage to 35 Buddhas
Price: Nu.168,000/-
Artwork Code: AUB01

Home › Artists › Tshewang Tenzin › AUB01 Homage Buddha 1

Tshewang Tenzin

Born 1978, from Mongar

At the age of 12 I started painting, inspired by a patriline of thangka painters. I spent 10 years after that as a student of traditional art and another 20 years as a traditional art teacher. In the year 2007, at the SAARC art camp, I got to know Asha Kama, the pioneer of contemporary art movement in the country. From there on- I started exploring the wondrous world of art more.

My themes mostly consist of the change and connection between the traditional and contemporary. I paint to learn more about myself. I hope that with my search through these creations I get to inspire my students and the viewers who see my art to learn a little more about themselves.

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